“I’ve had such a funny letter from Flossie,” said Joan, “begging me almost with tears in her ink to come to her on Sunday evening to meet a ‘gentleman friend’ of hers, as she calls him, and give her my opinion of him. What on earth is she up to?” “Nice little restaurant, this,” she said. “One of the few places where you can depend upon not being annoyed.”!

“She wouldn’t mind if she did,” explained Joan. “And you know what she’s like! How can one think what one’s saying with that silly, goggle-eyed face in front of one always.” “Shall I shut the door?” suggested Joan.

“Yes,” admitted Joan. “I rather fancied her in it.” “Ask Phillips to come and see me,” he said. “I can be of more help, if I know exactly his views.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life.